what if in avengers 2 steve sticks his hand out waiting for his shield to bounce back to him but instead he gets the mjolnir
sherlock refusing to let lestrade give the best man speech unless he uses the phrase “sherlock’s husband john watson” every time he refers to john
"sherlock literally everyone in the room will have just watched you marry john watson it’s really okay."
"accuracy is important, gavin."
#okay i know some people hate this scene because they think it’s whedon making fun of cap#and that might have been how he intended it#but the way evans and rdj played it is so perfect#because there’s steve’s sass coming back#’seriously?’#’seriously tony?’#’what exactly are you expecting from me?’#’it’s been like a week and a half since i got here from the 40s’#’what does it look like?’#’well it seems to run on some form of electricity’#unspoken ‘you moron’#and tony’s response is just like#’i don’t know what i was expecting’#’you got me there’#i don’t know#i just thought the two of them played it perfectly off each other [via invisiblespork]
Idk I just think this would be Thranduil’s reaction to Legolas at moments like this
"Vapid blonde leadership"Good christ I just fell off my chair
Conclusion : Thrandy sucks as a father.
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).